KITE OVER DELHI

HIDDEN HERITAGE - KITE OVER JAIPUR

Jaipur is one of India’s most visited cities, an international tourist destination, a place
dotted with fabulous examples of medieval heritage including a hill fort that is a
UNESCO World Heritage Site. Amidst all this, Hidden Heritage Art realized that there is
no single depiction of this great city’s heritage on a single frame. The only way to
attempt this is an aerial view and that’s exactly what we tried.

Hidden Heritage Art’s ‘Kite over Jaipur’ seeks to visually capture much more of the
iconic city’s built heritage into a single water colour. The hilltop forts of Amer, Jaigarh
and Nahargarh together with the battlemented walls built on top of the craggy hills,
cenotaphs, the city palace and much more…
As always, some creative liberty taken to be able to showcase several sites of the city into
one canvas. ‘Kite over Jaipur’ has been created by the brilliant Shashank Gautam, a
graduate of the National Institute of Fashion Technology (NIFT), working with Hidden
Heritage founder Arjun Kumar.

For queries:

Email: indiahiddenheritage@gmail.com
TW: @HiddenHeritage
To know more about Hidden Heritage Art, click here

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Perhaps the boldest experiment in mosque architecture during the Sultanate period, the stone lattice work of its windows – ‘khidkis’ – lends its name to the mosque and the village beyond. Small open-roofed courtyards intersperse with pillared corridors in this late 14th century structure built by Khan Jahan Junan Shah, a minister of Firoz Tughlak (reign 1351-88). best replica watch websites

Among South Delhi’s best kept heritage secrets in this elegant three-bay mosque within a walled compound. It is attributed to the Lodi dynasty, around the beginning of the 16th century CE – a time when mosque building traditions and design hit an acme towards the last part of the Sultanate period. Nearby run the mighty fort walls of Khilji’s Siri.

Within the Deer Park lie several tombs dated to the Lodi era (1451-1526 CE) and whose occupants are unknown. These have been given names of convenience, including the large Bagh-i-Alam ka Gumbad and Kali Gumti.

The large complex we see today is the result of building activity through the 14th century, with the Hauz-e-Alai believed to have been built by Alauddin Khilji (reign 1296-1316), the madrasa complex by Firoz Tughlak (reign 1351-88), whose tomb is also here along with the tombs of several others who were teachers at the madrasa.

Closer to Aurobindo Place market lie several Lodi era tombs (1451-1526 CE) whose occupants are unknown and the names of convenience given to these: Dadi-Poti Tombs, Choti Gumti, Sakri Gumti etc.

The Chor Minar is believed to have been built in the early 14th century by Alauddin Khilji (reign 1296-1316 CE). A popular account holds the niches on its outer walls were used to display the heads of thieves, hence the name. The Idgah nearby came in 1404-05 under the patronage of a Mallu Khan, a nobleman who virtually ruled Delhi then.

This complex is a mash of varying styles: the buildings seem to merge into each other without a plan or any symmetry. The domed entrance looks Tughlak, the mosque Lodi. The exact identity of Makhdum Sahib himself remains obscure – perhaps he occupies the pillared tomb in the middle of the complex.

The mosque dates to 1505-06, which puts it towards the end of the Lodi period. With a courtyard formed by a dwarf wall, this three-bay structure is topped by a single dome. Its embellishment included a blue strip formed by lapis lazuli, a mineral found in present-day Afghanistan. Incredibly, the mosque remains in use as a place for prayer.

The structure essentially comprises a wall mosque facing a courtyard that forms a grave enclosure. This is built on a high platform, and is rarely open to visitors. Little is known about the real identity of Darwesh Shah, though the name indicates a revered figure. The tomb dates to the late 15th century Lodi period.

A multi-level structure, also referred to as the Hazar Sutun – thousand pillared palace – of Mohammad Tughlak (1324-51). May have been the innermost building within the Tughlak city of Jahanpanah. Its later occupation by a Sufi, Sheikh Hasan Tahir, shows it remained in use till the Lodi period in the early 16th century CE.

Delhi’s second largest courtyard mosque after Shahjahanabad’s Jama Masjid, this was probably the congregational mosque for the Tughlak city of Jahanpanah. May have been completed around the time of Mohammad Tughlak’s death (1351) or later, by Khan Jahan Junan Shah, a minister of Firoz Tughlak (reign 1351-88). Known for its domes and the tall central gateway in its western wall.

Similar in design and colour to the tomb of Ghiyasuddin Tughlak, this one is the tomb of Sheikh Kabiruddin Auliya, a disciple of the 14th century CE Sufi Sheikh Roshan Chiragh-e-Dilli. Is probably the focal point of a large burial ground, indicated by numerous smaller graves and wall mosques around it.

An ornate and tiny tomb, the twelve-pillared red stone structure has some of the finest stone lattice jaali work for a monument of its time. Its occupant was a popular and revered figure during the reign of the last Lodi sultan, Ibrahim (reign 1517-26 CE). Next to the tomb is a mosque and the remains of a brick structure.

Looks like a fortified wall from a distance, this is a Tughlak era dam built to channelize the water of a stream that probably flowed northwards from the ridge beyond present-day Mehrauli. The name comes from the seven arches at the base of the dam, meant to allow water to pass. Part of the 14th century CE city of Jahanpanah.

*This painting is now in a private collection

HIDDEN HERITAGE - KITE OVER JAIPUR

SCROLL DOWN TO KNOW MORE ABOUT THE MONUMENTS FEATURED IN THE PAINTING

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